Khephar Opens Up About Leaving Khelobedu Content: A Farewell Fueled by Betrayal, Jealousy, and Financial Limitations

In a recent heartfelt podcast appearance, digital creator and entertainer Khephar opened up about a major turning point in his creative journey and his decision to stop creating Khelobedu-related content. Once known for his passionate advocacy for Bolobedu culture and language through comedy and storytelling, Khephar now says the very community he tried to uplift became the source of his deepest pain, betrayal, and disappointment.

Language Barriers and Financial Struggles

At the heart of Khephar’s decision is a harsh reality faced by many vernacular content creators in South Africa, limited financial return. He spoke candidly about the geographical and linguistic barriers that have made it nearly impossible for him to earn a sustainable income from his work. There as no advertisers who are willing to spend money for digital monetisation since it will only reach a small group people.

He claimed that no matter how viral the content gets within the Khelobedu-speaking community, it's not translating into money. Brands don't understand the language, and the reach is too small to attract significant ad revenue or endorsements.

Betrayal by His Own Team

But it wasn’t just the money. Khephar shared that one of the most painful aspects of his journey was being betrayed by the very people he built with.

People He once called his crew, people he shot content with, edited videos for, even gave ideas to, they started distancing themselves. He believes there was an external voice which convinced them that he is getting rich off the content and they accused him of using them.

According to him, these individuals later demanded he stop using content they created together, essentially erasing years of collaboration and shared effort. The breakdown of those relationships has left a scar deeper than most fans could imagine.

A Comedian, A Lawyer, and an Unspoken Name

Perhaps the most shocking part of the podcast was Khephar’s account of his toxic professional relationship with a well-known Khelobedu stand-up comedian. While he did not name the individual — citing fear of legal repercussions due to the comedian’s profession as a lawyer — he didn’t hold back on the emotional toll.

“We did several performances together. I didn’t get paid even once. On top of that, I found out he was talking bad about me to event organizers so he could take all the money. I was used,” Khephar said, his voice heavy with frustration.

Looking at the people he worked with previously, revealing that the comedian is a legal practitioner and that he is the stand-up comedian who went to Savannah comedy. It is clear that he is talking about the only and only, Mr Chase.

Mr Chase is a hosts, musician and stand-up comedian. He usually hosts events in the Limpopo/Bolobedu region. For example, Limpopo Ke Gae Comedy Muster was an event on 29 December 2023 at Shidila Lodge, and it was hosted by Mr Chase, featuring Khephar among other local comedians. According to Computicket Bookings, he is able to host and organise events, and attract known entertainers (like Khephar, Moruti Majomane, Mashabela Galane, etc.), it suggests Mr Chase has at least a moderate reputation / network in the local comedy and entertainment circuits.

Reinvention: Can Khephar Go International?

With all this behind him, the big question now is: Can Khephar make it beyond Bolobedu, and even beyond South Africa?

The answer might very well be yes — if creativity, adaptability, and resilience is what he posses. 

Khephar has demonstrated a keen eye for storytelling, a deep understanding of digital trends, and an innate ability to connect with audiences. His decision to shift focus toward more universal, possibly bilingual or English-first content could open doors to broader audiences, brand partnerships, and global visibility.

Moreover, his transparency and vulnerability in sharing his experiences might resonate with other creators who’ve faced similar battles in niche language markets.

“My obsession now is making money. If I’m going to put my time into something, it has to make business sense,” he stated firmly.

While some may interpret this as a loss of cultural loyalty, others might see it as a bold and necessary step, one that allows Khephar to heal, grow, and finally be rewarded for his talent.

Khephar’s story is a cautionary tale and a beacon of hope at the same time. It sheds light on the unseen struggles behind vernacular content creation, from exploitation by peers to being underpaid, or not paid at all, despite clear talent and hard work.

As he steps into a new chapter, one thing is clear: Khephar is not giving up and he’s evolving. And if he applies the same passion and creativity he once poured into Khelobedu content to a wider stage, there’s every reason to believe he can and will succeed internationally.

He just has to bet on himself and this time, it seems he finally is.